Salute to Adventurers
/This year’s John Buchan June continues with an earlier Buchan story, his first novel after the success of his colonial South African thriller Prester John in 1910 and one that sees him in his finest Robert Louis Stevenson historical high adventure mode: the fittingly titled Salute to Adventurers.
The narrator of Salute to Adventurers is young Andrew Garvald, the descendant of a once-prominent aristocratic Scots family that, by the 1680s, has fallen on hard times. When the novel begins in 1685, Garvald is a young student at Edinburgh on his way back to the city from his home in the hills nearby. After first getting lost and being helped on his way by a beautiful young woman and then happening upon an ecstatic outdoor prayer service led by a crank preacher, the massive and frightening Muckle John Gib, Garvald finds himself unjustly thrown into jail with Gib and his followers. The girl he had earlier met, whose name, he learns, is Elspeth Blair, helps secure his release. Gib will be transported to the colonies in penal servitude. Garvald returns to his life.
Following this prologue, some years go by in which Garvald joins his uncle’s trading business in the city and agrees to make a trip to the colonies on his behalf. Not long after arriving in Tidewater Virginia he realizes he must go into business for himself, and his hard work and rapid success pose a threat to the mercantilist concerns that have monopolized Virginia trade. Garvald finds himself commercially indispensable to the merchants and planters of the colony but socially shunned and even threatened. He catches arsonists at work on his property and, mysteriously, the pirates that prowl the coast consistently target not only his ships but his merchandise specifically.
Garvald consults the colonial governor but, finding a friendly ear but little help there, seeks out a man he had once run into in Edinburgh—one Ninian Campbell, who Garvald now learns is the notorious pirate Red Ringan. On the basis of their brief connection in the old country, Ringan agrees to help Garvald. He also confirms Garvald’s suspicions that the colony, a thinly populated agricultural region hugging the coast and still clutching its lifeline to Britain, is vulnerable to Indian attack. Garvald, acting on his own initiative and with the advice and contacts of Ringan, travels the settlements of the colonial backcountry constructing a private militia network for the colony’s defense.
Meanwhile, Garvald also reconnects with Elspeth, who now lives on a plantation with a wealthy uncle of her own. More ominously, he catches one brief glimpse of John Gib, now working a tobacco field dressed in rags. But the man recognizes Garvald and slips away.
Busy with trade and business, working against his unpopularity with the snobs of the planter class, striving to build a network of protection along the frontier, shyly trying to prove himself to Elspeth, and less shyly defending himself from aristocratic challengers for her hand, Garvald is already preoccupied when he learns of a serious threat on the frontier. But this turns out not to be the aggressive bands of Cherokee raiders that he initially suspects and fights with, but a much larger, more formidable, more terrifying and bloodthirsty force no one has seen or heard of before. And, as these circumstances unexpectedly converge, Garvald realizes that only he knows about the danger.
Salute to Adventurers is hard to summarize, partly because it is so uncommonly rich for an adventure story. It takes much of what worked in Prester John—the tough-minded but inexperienced Scottish youth, the faraway colonial setting, the dangerous environments, the fanatical hidden antagonist—and expands upon it, mingling in the high-flown dramatic sensibilities of stories like Kidnapped and Treasure Island—pirates, duels, Indians, colorful sidekicks, quests for buried objects, hopeless sieges in wilderness stockades, trial by combat, torture, and heroic sacrifice. The complicated plot uncoils smoothly and with a maximum of suspense, helped as always by Buchan’s sense of pacing. Salute to Adventurers was published the same year as The Thirty-Nine Steps, a much shorter book, and both are masterpieces of pacing in their respective genres.
Another of Buchan’s strengths, setting, also proves crucial. Buchan has been lauded by many readers and critics for his attention to geography and his ability to make imaginary landscapes visible and understandable to the reader, and that is especially true of this rare New World adventure. And, of course, the ways the land and its history shape its people matter, too. Here’s Garvald’s pen-portrait of Virginia as he knew it in the 1690s:
He who only knew James Town and the rich planters knew little of the true Virginia. There were old men who had long memories of Indian fights, and men in their prime who had risen with Bacon, and young men who had their eyes turned to the unknown West. There were new-comers from Scotland and North Ireland, and a stout band of French Protestants, most of them gently born, who had sought freedom for their faith beyond the sway of King Louis. You cannot picture a hardier or more spirited race than the fellows I thus recruited.
In Salute to Adventurers Buchan brings to life whole worlds: the thriving, striving, and rumbustious land of tobacco planters and merchants on the Tidewater; the hard-bitten frontier of small farmers, hunters, and fugitives; and the unimaginable wilds of Indian territory beyond.
This is not to say that Salute to Adventurers is historically perfect. Buchan introduces teepee-dwelling Sioux in a few places in Virginia and the Carolinas and Blackbeard plying the Atlantic about twenty years before his time. But what he realistically captures is the spirit of the age and every manner of person living in the chaotic social grab-bag of Virginia at the time. I’ve hardly mentioned it, but Salute to Adventurers even works as a comedy of manners or class drama in some early chapters.
But what holds the novel together is not just its plotting and pacing and beautifully realized setting, but its characters. Garvald, the narrator, is a solid example of a common Buchan narrator—young, driven, manly, and principled but self-reflective enough to doubt himself or wrestle with fear, not to mention honorable to a fault. Elspeth is less vivacious and outdoorsy than Buchan heroines like Janet Raden or Alison Westwater, but is tough, whip-smart, and as principled as Garvald, which makes her stand out from the striving Virginia elite and complicates their romance. Garvald’s allies Red Ringan and the mysterious Indian exile Shalah prove excellent allies, as does an initially antagonistic young planter named Charles Grey, who is jealous of Elspeth’s attentions. Grey in particular has a good character arc, passing from childish antagonism toward Garvald to principled loyalty in the face of danger.
And of course there is Muckle John Gib, the heretical preacher and would-be revolutionary. It should not be a spoiler to mention that, after Garvald’s two brief run-ins with him, Gib returns to the story in an important role. Gib is a case study in Buchan’s concern about fanaticism, but what Buchan presents in Gib—unlike, say, the ideological Laputa of Prester John or the German agents sowing religious violence in the Middle East in Greenmantle—is the fanatic as the man of principle run amok. In this way, Gib is a counterpart to Garvald rather than an opposite, and it is not through force of arms that Garvald eventually triumphs over Gib and his plot, which I don’t want to spoil, but through reason and moral suasion. Even if you can predict that Gib will return, you cannot predict the nature of their final confrontation, though it is suspenseful and thematically perfect.
Salute to Adventures proved a pleasant surprise for me. It is not readily available now (there is no John Buchan Society-authorized edition from Polygon, unlike so many I’ve read so far) and is not today one of Buchan’s better-remembered books. But it deserves a place among the best of his historical fiction and especially his early work, and was a most enjoyable adventure.